A journey into the Uyghur soul

MUQAM

Many voices.
One living tradition.Scroll to discover

01 — 33The people behind the music

01 / The instruments

Wood. String. Skin.
A world of sound.

Meet the instruments that give Muqam its voice. Bowed melodies, ringing strings and a pulse that brings everyone together.

Bowed lute01 Satar · Musician 33

SatarA long-necked bowed lute closely associated with the Twelve Muqam. A melody string sounds above sympathetic strings, and the instrument is often played by the lead singer.

Long-necked lute02 Dutar · Musician 28

DutarThe dutar is a long-necked, two-stringed lute, played by plucking and strumming. It accompanies singing and instrumental music. The exact type of the painted instrument remains uncertain.

Frame drum03 Dap · Musician 11

DapThe dap is a circular frame drum with a skin head; many examples contain metal rings. Hand strokes articulate rhythm, while smaller daps help shape the Twelve Muqam’s rhythmic cycles.

Plucked lute04 Rawap · Musician 25

RawapPlayed with a plectrum and held near the chest, the rawap belongs to a varied family of plucked lutes. The painting suggests a rawap-type instrument.

Plucked zither05 Qalun · Musician 35

QalunA plucked zither with strings stretched across a broad wooden soundbox. The musician plays with plectrums. The low, horizontal instrument in the painting suggests this family.

Hammered dulcimer06 Chang · Musician 27

ChangThe chang is a hammered dulcimer: its strings are struck with two slender beaters. Instruments of this type appear in Uyghur ensembles, producing a clear, ringing texture.

The instrument names are interpretations of the painting. Discover their distinctive forms and voices.

02 / The heritageA tradition, still unfolding

Carried by people.
Shared across generations.

More than a performance, Muqam is a meeting of music, poetry and dance. A living memory, passed from one voice to the next.

The ensemble painting that inspired this journey33 / MUQAM

Muqam brings together song, instrumental music, poetry, and dance in Uyghur cultural life. Its repertoire draws on folk storytelling and classical verse, performed by solo voices and ensembles. The Twelve Muqam is one of several regional traditions, alongside Dolan, Turpan, and Hami Muqam. It unfolds across twelve extended suites, each joining different musical forms. UNESCO recognizes Uyghur Muqam of Xinjiang as intangible cultural heritage. This page offers an introduction through the musicians and instruments in the painting.

Read about the tradition · UNESCO

Sound

Voices and instruments, in many colours.

Poetry

Classical verse and stories carried in song.

Dance

Rhythm takes shape in movement.

Three parts. One journey.

Within a Muqam

Chong NaghmaDastanMeshrep

A Twelve Muqam suite is commonly described in three broad sections: Chong Naghma, Dastan, and Meshrep. An opening in free rhythm leads into measured songs and instrumental passages, followed by narrative songs and dance songs.

03 / The TwelveNamed at last

Twelve suites.
Twelve names.

The tradition is named for its twelve suites, yet the names themselves are rarely listed. They come from Arabic and Persian rather than Turkic roots, and several are shared with maqam traditions far to the west.

Select a suite to bring it forward.

Transliterations vary between sources. These follow the spelling conventions used elsewhere on this page.

04 / The ensemble01 — 33

Every face,
a different story.

Thirty-three figures. One extraordinary ensemble. Discover every retained character from the painting, from the front-row musicians to the voices behind them.